A tribute to the spirit of enterprise and creative power of the individual
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In the name of the best within you, do not sacrifice this world to those who are its worst. In the name of the values that keep you alive, do not let your vision of man be distorted by the ugly, the cowardly, the mindless in those who have never achieved his title. Do not lose your knowledge that man's proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at- all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it's yours. Atlas Shrugged,
Ayn Rand Part III, Chapter VII
In the name of the best within you, do not sacrifice this world to those who are its worst. In the name of the values that keep you alive, do not let your vision of man be distorted by the ugly, the cowardly, the mindless in those who have never achieved his title. Do not lose your knowledge that man's proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at- all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it's yours. Atlas Shrugged,
Ayn Rand Part III, Chapter VII
Description
Atlas Libertas is placed on the main façade that welcomes visitors in the building of the UFM Business School.
A high-relief sculpture of a human figure supporting the universe, seen from the back from head to hip. The universe is represented by a series of semicircles (abstract planets and gear mechanisms). The sculpture is made of brass plate with a cyan-colored finish resembling oxidized copper.
Title of the sculpture
ATLAS LIBERTAS
Size
4.5 m high by 4.5 m wide
in high relief with a depth of
approximately 40 cm
Artist
Walter Peter Brenner
About the Artist
Walter Peter Brenner was born in Guatemala in 1965 to a family of Swiss origin. He has worked as a professional artist for twenty years, dedicating the last twelve to sculpture. His father, renowned Guatemalan painter Walter Peter Koller, taught him to draw and paint. He studied architecture at Universidad Francisco Marroquín and sculpture at the School of Fine Arts in Zürich, Switzerland.
He is director of his own art academy, Ars Artis, where he also teaches. He has also taught artistic drawing I and II, and interior and graphic design at the architecture schools of two universities in Guatemala—Rafael Landívar and Istmo.
He has had seven individual shows of his paintings, two of these in Switzerland, and participated in approximately thirty collective shows and several art auctions. Walter is best known as the creator of a ten-meter-tall terracotta monument known as El Coloso de Inmaco (The Inmaco Colossus).
The Guatemalan Olympic Committee awarded him first prize for his participation in Art & Sport 2000, an art competition sponsored by the International Olympic Committee in Lausanne, Switzerland. His prize-winning piece, entitled El Arquero (The Archer), expresses the idea that in order to reach our highest goals we must always aim towards our own destiny.
Atlas Libertas by Walter Peter
For me, Atlas Shrugged represents many ideas and emotions. I read Ayn Rand’s masterful literary classic in 1991 while studying sculpture in Switzerland. In fact, I was travelling by train at night as I read the description of Hank Rearden’s steel factory. As we crossed the railroad bridges with the lights in the distance resembling those steel factories, a chill ran through me as I imagined my SELF-MADE MAN, created from steel. It was the abstraction of a sculptural idea that would haunt me for the next sixteen years, until now when I find myself completing it; no longer abstract, but concrete.
This is what Atlas Shrugged means to me: it is a sense of the heroic life, imprinted on me back then; it is a sense of life that I feel in body and soul, in which man is capable of shaping and forging his own destiny; a sense of the sure hope that one day I will be able to realize my most cherished dreams; a sense of a life of strength, of achievement, of profound and full joy.
In terms of emotion, Atlas Shrugged represents both physical and mental pleasure to me, the logical result of the conviction—proud and rational—that gave me the strength to rebel, as did that Titan of Greek mythology. Mine is a rebellion against all in the modern art movement, of today and of the last one hundred years, that professes a Zeus-like Dictatorship from the Mount Olympus of Ideas without Values; a Dictatorship of Artists, Promoters, Curators, and Art Historians who spout an avalanche of anti-virtues that lead human beings to the most oppressed animal state of irrationality. Here, one’s best efforts are subjectivized; absolute truth does not exist. Ayn Rand’s book gives me reason to continue in my belief that the struggle to achieve humanistic greatness is worthwhile. For me it is a pitched battle against a tenacious enemy: the irrationality and weakness of those lacking the courage face the ultimate consequences in the challenge to find a single truth. Atlas Shrugged reminds me that I am not alone in this battle.
Atlas Libertas
Atlas Libertas is inspired by the title and subject of Ayn Rand’s literary masterpiece, Atlas Shrugged. The Atlas of Greek mythology was a hero who led the Giants in an uprising against the tyrannical gods of Mount Olympus. He fights for his freedom as well as that of the Giants and humans. After losing the battle, Zeus punishes Atlas making him hold up the heavens, the universe (not the earth), for all eternity.
In my recreation of Atlas, it is not the mythological figure I represent, but a metaphorical one in the form of a human being, the individual mover of human development here on Earth and in the Universe; a capable, strong, just, ambitious, and intelligent human who requires individual freedom in order to reach his highest potential. It is, thus, Rand’s heroic vision of man that I want to express: a person who through his essential virtues remains true to his highest values, struggling to achieve his goals without violating the individual rights of his fellow man. I attempt to express the sense of a life of accomplishment, of ability, of excellence, just as Ayn Rand so eloquently and clearly puts forth in her moral philosophical thought.
It is the human being who attains knowledge, who acts, whose ambitions are coupled with strength and tempered by justice and moderation, the cardinal virtues Any Rand learned from Aristotle, and then adopted and integrated in the hierarchy of her own philosophy, objectivism. Atlas is the man who triumphs and who is therefore fulfilled, happy. In the abstract of Ayn Rand’s heroic vision, the entrepreneur, the productive individual, the just all come together. The gear mechanisms, the planets and celestial bodies, in blue and gold metal, represent time in the universe, industry, productivity, and the richness of happiness. They also represent the interlocking unity implicit in the generator of all human action: his mind, his rationality, and the primordial courage that enables him to survive and achieve his objectives; these are what lead to victory. He is the one who triumphs in freedom and only with freedom.
Walter Peter, Jr.
Gallery
Donations
Fredy Kofman, President of Axialent, referring to Ayn Rand’s Atlas Shrugged,said: “It is an exaltation of the human mind and spirit that calls for breaking the chains of slavery and underdevelopment; an exaltation that should be heard by all those who love freedom.” Your donation will be testimony of your faith in freedom and the enterprising spirit of mankind as seen in Atlas Shrugged.
All you need to do is contact the Development Office with the information necessary for your receipt.
Checks may be made out to Universidad Francisco Marroquín or you may pay on line by clicking here. If you prefer, a representative of UFM can pick up your donation at a place and time of your choosing.
Donation categories:
GOLD US $5,000
SILVER US$1,000
BRONZE US$100
Contact Us
Contacts:
Ricardo Castillo A.
Telephone: (+502) 2338-7800
rectoria@ufm.edu
Carla Silva
Telephone: (+502) 2338-7765
director.ufmlabs@ufm.edu